A Moment of Innocence :: essays papers

A jiffy of pureness When I walked into class that day I was indifferent to the movie that we would be watching that evening. Five minutes into A Moment of artlessness (1995) by Mohsan Makhmalbaf, I was hooked. By taking a pseudo-documentary elan Makhmalbaf lets us design the people as they are transformed into the characters from the directors past. This style allows us to grow up with them and to relate to both sides of the story. By taking a true event and fictionalizing, at least part of it, Makhmalbaf has us trying to figure by what split mystify been added to the narrative and which parts truly speak to history. A documentary does non strive to recognise a story, it looks upon events unemotionally and tries non to colour our ideas about the event. A Moment of Innocence is not a documentary but uses the truth unravel common to that genre to give us an understanding of the events from both sides and organizes us think about how our actions effect others every d ay. If A Moment of Innocence had been a wholly fictional burgeon forth I do not believe that it would have carried the same emotional impact. Different scenes in the film show us how Makhmalbaf is trying to reconcile his past actions with his feeling today. They as well as show how he is, while not in any focusing apologizing for his actions, trying to amend some of the damage he may have caused.There are several scenes in the film that stand out to me as important. The scene that caught me the most off-guard occurred when Makhmalbaf and teenaged Makhmalbaf went to the directors cousins home to try to enlist her daughter to play the muniment her mother had played in real life. For just a act the daughter and young Makhmalbaf step out of themselves and become the characters that they are playing. They make plans to meet the next day for the incident with the policeman, both look nervous, Makhmalbaf returns and they tot their roles as if the exchange had never occurred. This glimpse into what and how the incident was planned gives the earshot a look into the type of people that Makhmalbaf and his cousin were as young adults, scared but sure in their purpose. The scene also allows us to step out of the knowledge that this is staged and shows us the characters as people, not actors.